My work lies somewhere between absence and presence, a photographic exploration of quiet moments where light becomes language. Whether in the intimate silence of a stranger’s face or the melancholic vastness of a landscape, I search for what is felt before it is seen.

Documentary photography, for me, is not about illustrating facts. It is about revealing subtleties: the tension in a gaze, the texture of solitude, the architecture of a fleeting moment. I often use natural light not only as an aesthetic tool, but as a narrator, it shapes emotion, defines intimacy, and guides perception.

My black and white work is a meditation on form and contrast. It strips the world down to essentials, not to reduce reality, but to intensify it. By removing the distraction of colour, I aim to get closer to what I call the emotional shadow of the image: that lingering resonance that remains long after the photograph is gone.

This body of work is not a series in the traditional sense, but a constellation of moments, drawn from different geographies, yet connected by the same desire: to slow down time, and let silence speak.